LOCATION/TRAVEL

Equipped and experienced to go anywhere, anytime. By road or runway.

  • Centrally located, ready to drive to almost any North American location.
  • Capture cart, tent, and generators.
  • DOT metal fuel containers and inspected fire extinguishers.
  • Safety harness, hard hat and Hi Vis gear for hazardous areas.
  • Flags for cameras and photographer, cooling gear for personnel and equipment.
  • Location trailer modified for use as location post production space.
  • High gain location wireless networking.
  • Flight kits are compact, yet require minimal or no gear sourcing at location.
  • Carnets maintained on gear for immediate international travel.
  • International voltage connections including battery backup.
  • Press credentials for maximum travel discounts.
  • International medical and liability insurance including emergency repatriation.

 

CAPTURE

With Imaginary Lines on your set, you are getting more than a Digital Tech. We arrive fully self sufficient, with a load of accessories to make your shoot go smoothly.

  • Redundant gear from backs, bodies and lenses to computers, all on set at no additional charge.
  • Multiple computers deliver speed, and efficiency.
  • Light meter, compass, sunseeker, laser measure, tape measures in metric and imperial, international power strips.
  • Polarizers, Variable ND, and Expodisc.
  • Pocket Wizard II with camera remote cables.
  • Hard sync cables for most brands of packs.
  • iPad for remote viewing/control.
  • Capture cart.
  • Set dog. Not available for international travel.

 

MEDIUM FORMAT GEAR

We have a comprehensive inventory of medium format digital gear from Phase1, Leaf, and Mamiya.

  • Four bodies to choose from with backs up to 80 Megapixel.
  • V grip with Air Sync
  • Focal lengths from 28mm to 210mm including macro, bellows and extension tubes.
  • Accessories from remotes to screens, focus magnifiers and diopters.
  • View camera with Schneider Digitar lens.

 

AUDIO/VIDEO GEAR

Ready for a combined still and video shoot.

  • Canon 5D Mk II and III bodies.
  • Canon 24-105 and 75-200 zoom lenses.
  • Prime de-clicked Nikkor lenses.
  • Graduated ND filters.
  • Intervalometer.
  • Rig with Marshall 7” monitor.
  • Manual and electronic slates.
  • Green and blue screens.
  • Field audio recording up to six channels.
  • Microphones-Wireless and wired lapel, shotgun, cardioid and condenser.
  • 24” Slider.
  • Tripod with fluid head and dolly.

 

LIGHTING

Elinchrom portable strobe and K5600 HMI kits.

  • Elinchrom Ranger RX kits with 2 heads, umbrella and spare battery.
  • Elinchrom skyport remotes.
  • K5600 Joker HMI lighting from 200w to 800w with beamers.
  • K5600 Soft Tubes and Big Eye fresnel lens.
  • K5600/Profoto adapters. Use Jokers in Profoto modifiers such as Beauty Dish.
  • Elinchrom 72” Octabank.
  • Elinchrom/Profoto adapter for Octabank.
  • Chimera Video Pro boxes from Extra Small to Large with Grids.
  • Speedrings for Elinchrom and K5600.
  • PhotoQuip light panels in B/W, S/W, and Translucent.
  • C-Stands with arms.

 

TRIPODS
  • Sticks from Enduro, Manfrotto, and Admiral Benbo from ground level low boy to 8’ carbon fiber
  • Heads from Manfrotto and Acratech. Geared, three way, fluid, ball and nodal rail.

 

ART SERVICES

We specialize in creative image retouching and compositing, resulting in extraordinary images in both still and motion.

  • Production artist can be on set during your shoot for preliminary comping, allowing a smooth and rapid transition to post production.
  • Our artists have the ability to create elements that don’t exist.
  • Many different medias can be incorporated, as the project requires.
  • We can match the retouching on still and motion productions to provide a cohesive campaign.

 

PHOTOGRAPHIC SERVICES

We provide photographic support for the production of images.

  • Products missing from a shoot, or needing to be changed after the shoot, can be photographed and added during post.
  • Elements such as backplates can be shot for specific layouts before, during or after the shoot.
  • With a second camera on set, high resolution panoramic backplates can be captured during the shoot.